by Jenna | May 10, 2013 | Personal
My latest Sci-Fi Circuit article on ScriptMag about breaking into the sci-fi spec market.
As a sci-fi screenwriter, I’m fascinated with understanding what the current market is looking for in terms of science fiction spec scripts. This question is usually on my mind in some form or another: When it comes to breaking into the spec market as a sci-fi screenwriter, what does it take? To begin to... [read more at ScriptMag]
Image by Stefan Keller from Pixabay
by Jenna | Apr 12, 2013 | ScriptMag Articles
My latest Sci-Fi Circuit article on ScriptMag:
What does it take to make a sci-fi world real? As a science fiction fan, I love to be transported into new and fantastical worlds. As a sci-fi screenwriter, I’m fascinated by understanding what it takes to make that happen, and happen well? It’s not just a pretty gadget Part of the appeal as... [read more at ScriptMag]
Image by Reimund Bertrams from Pixabay
by Jenna | Mar 15, 2013 | ScriptMag Articles
My inaugural "Sci-Fi Circuit" article for ScriptMag:
I was indoctrinated into the world of sci-fi by my father at the tender age of nine, when he handed me my first sci-fi book, The City and the Stars by Arthur C. Clarke. Right around the same time, I saw Star Wars. I was hooked. Together, they changed my life. No longer was… [read more at ScriptMag]
Image by Stefan Keller from Pixabay
by Jenna | Jun 8, 2012 | Science Fiction
Dear Mr. Bradbury,
Thank you.
Thank you for touching my heart and opening my eyes. For seeing me in ways I didn't yet understand in my younger years. For showing me new worlds and new ways of seeing our world.
So many of your stories will be forever etched into my consciousness...
The tale of the man who drowned himself in the endless rain of Venus, "sitting on a rock with his head back, breathing the rain."
The April witch, Cecy, who could flit from being to being but longed to fall in love, even if it meant giving up her powers.
The mechanical house dying after a nuclear holocaust, shadows of its family etched against its blackened siding, calling out the date and time to no one as it burned.
The Martian -- the chameleon -- who changed to be who others longed for and died in the maelstrom of their conflicting desires.
And the Rocket Man who died when his rocket fell into the sun, just when he had promised his family to stay home with them after one last trip.
Heart-breaking. Truthful. Painful. Gorgeous. Raw. Philosophical.
Your passionate commitment to envisioning the future has changed many lives for the better.
Your words made me think.
They made me feel.
I thank you.
Photo taken by Will Hart, used with permission under Creative Commons licensing
by Jenna | Apr 20, 2011 | Science Fiction
I was reminded of a novel I read recently called Agent to the Stars by John Scalzi.
The book is a fun, lighthearted romp about a film agent who ends up being the P.R. guy for a group of ugly aliens wanting to be accepted by the earthlings despite their extremely off-putting appearance and odor. A highly entertaining read and clever story, to say the least.
Practice, Practice, Practice
Beyond the unusual plot line, what particularly endeared me to the book was that it was Scalzi's very first novel and one he wrote as a "practice" novel just so he could say that he had done it (and to impress his classmates at his 10 year high school reunion :) ).
Here's what he has to say about it on his website (where, by the way, you can read the whole novel):
"In sitting down to write the novel, I decided to make it easy on myself. I decided first that I wasn't going to try to write something near and dear to my heart, just a fun story. That way, if I screwed it up (which was a real possibility), it wasn't like I was screwing up the One Story That Mattered To Me. I decided also that the goal of writing the novel was the actual writing of it -- not the selling of it, which is usually the goal of a novelist. I didn't want to worry about whether it was good enough to sell; I just wanted to have the experience of writing a story over the length of a novel, and see what I thought about it. Not every writer is a novelist; I wanted to see if I was.
"Making these two decisions freed me from a lot of the usual angst and pain that comes from writing a first novel. This was in all respects a 'practice' novel -- a setting for me to play with the form to see what worked, and what didn't, and what I'd need to do to make the next novel worth selling."
The genius of this was that it freed him from the zeitgeist of perfectionism (a trap many of us, including me, know only too well) and allowed him to loosen up, have some fun, and get into action with Doing The Writing.
He made some attempts at selling it, but wasn't able to, so he ended up posting it online for donations from people if they liked it on a kind of "shareware" basis. (Love that!) He was later invited to do a limited edition hardcover release of the book in 2005 and then in paperback in 2008.
Build Your Confidence
Magically, he says, "...between the writing of this novel and the publication of [my second novel], five other books (Amazon referral link) slipped out of my brain, due in some measure to my confidence that I could write book-length works, be they fiction or non-fiction."
Love that, too.
Isn't it fascinating how simply doing the writing helps us to build the confidence we think we need "before" we can do it "for real." This clever guy found a way to do both at once.
So.
There's nothing like finding small ways to get started to help build your confidence around new skills.
Image by Reimund Bertrams from Pixabay