Sci-Fi Screenwriter

About

Jenna Avery was indoctrinated into the cult of sci-fi at an early age by her dad, who handed her a copy of Arthur C. Clarke’s The City and the Stars and said, “You might like this one.” Star Wars followed shortly thereafter and swept her away into otherworldly fantasy and speculative fiction for good. 

As an elementary school student, she even pitched a local TV station about adapting a dragon novel she was particularly fond of. That same book series led her to being branded “the coolest mom in the class” when she told her kiddo’s then first-grade classmates her favorite books either had spaceships, dragons, or ideally, both.

Though she’d wanted to be a writer from a young age — and even co-authored a “soap opera” book with a teenage friend about romances among their classmates — it wasn’t until post-graduate school and an entirely different career in urban design when a colleague said, “Hey, you should write a screenplay,” when Jenna finally dug into scriptwriting. Since then, she’s pursued screenwriting with a fierce passion, studying with Terrel Seltzer, ScreenwritingU, Chris Soth, Corey Mandell, Steven Pressfield, and Jeff Howard. 

In addition to writing original sci-fi scripts and short stories, Jenna’s been hired for a paid writing assignment for a post-apocalyptic coming of age story and as a consultant for a spec sci-fi TV series, developed a treatment for a supernatural thriller, and rewrote a sci-fi drama for co-writing credit. Jenna also writes a regular column for Script Magazine. 

Her most recent script, VISITATION, is a sci-fi family drama which contemplates loss, acceptance, and community, and is very much an ode to her father, who passed away far too soon, in its genre, scope, and location. The script is set in the same high mountain valley her father took their family every summer, and where Jenna will take his ashes this June 2026. 

Currently, Jenna lives in the San Francisco Bay Area with her incredibly supportive husband, two fantastic kiddos, and way too many kitties (plus occasional foster kittens). 

IMDB

Bio

Jenna Avery is a sci-fi and fantasy screenwriter, sci-fi story consultant, and columnist for Script Magazine. She is known for her strong female protagonists and her visceral and cinematic writing style. Her most recently completed spec project is a sci-fi drama, Visitation, and she recently completed a feature length script for Faranj Productions, Inc.

Jenna is a graduate of ScreenwritingU’s ProSeries, designed by Hal Croasmun, a well-known expert in the screenwriting world, and participated in their advanced Master Screenwriter Certificate program. Jenna also completed a year of mentoring with screenwriting expert Chris Soth, creator of the “mini-movie method,” studied with Corey Mandell, an award-winning playwright and screenwriter who has written for major studios and industry players, including Ridley Scott and Universal Studios, and has mentored with screenwriter Jeffrey Howard (Haunting of Hill House, Midnight Mass, Oculus, Ouija: Origin of Evil, Gerald's Game, Wytches).

Although her childhood dream was to write, Jenna took a few twists and turns through other careers as an urban designer and life coach, giving her a wide breadth of experience to draw upon in her writing. She is also a writer, editor, online instructor, columnist, and writing coach who specializes in helping writers make the work of writing actually happen.

Jenna lives in the San Francisco Bay Area, with her husband, two sons, and too many cats and occasional foster kittens.

 

Scripts

Entangled

Feature. A scientist known for her practical thinking is haunted by visions of a lost lover on a distant planet, and finds herself reluctantly believing that this could be her true soul mate of multiple lifetimes.

Visitation

Feature. A grieving 16-year-old encounters an injured alien with the power to bring her beloved mom back, but has to find the courage to help the alien get home before she's killed by locals or captured by the feds . . . even if it means losing mom all over again.

Desert Stars

Space Race

TV Pilot. Two sisters compete in a quest across the wide reaches of space against hot shot space racers to locate a massive fortune hidden by an eccentric corporate quintillionaire.

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The purpose of a writer is to keep civilization from destroying itself. 

-Albert Camus